Lens hoods are more prominent in long focus lenses because they have a smaller viewing angle than that of wide-angle lenses. This allows the lens hood to block stray light with the higher portions of the lens hood, while allowing more light into the corners of the image through the lowered portions of the hood. The geometry of the lens hood can vary from a plain cylindrical or conical section to a more complex shape, sometimes called a petal, tulip, or flower hood. This stray light often comes from very bright light sources, such as the sun, bright studio lights, or a bright white background.
Flare occurs when stray light strikes the front element of a lens and then bounces around within the lens.
#Rolleiflex 2.8 examples shooting mod
Hy6 Mod temp sold out, but more coming soon! 4560 film back still available.Made in Germany by Rollei Planar 1:2,8 f=80mm HFT EL Lens $3500 for the camera and 3 autofocus lenses! See photos here: Pentax 645z kit Great value in medium format digital though. Decided to sell my Pentax 645z kit - just not using it, was fun to test but just not using it enough to keep.Have misplaced my waiting list - sorry! I know I have a few people on the list for TLR's. Going to shoot a roll of film with it - will be tempting to keep this one for myself. A beautiful near mint 2.8F TLR with Planar lens and 12/24 option and leather case came in.I have one available to ship today and will have 2 pieces coming in approximately 1 week. The 4560 film backs are no longer in regular production, but the factory did a special run of them recently. I will have more of the single piece 4560 film backs for the Hy6. Hy6 Mod2 bodies and 6060 film backs coming in next week.Still it’s a great overview of the camera from a working pro. And nearly all of the lenses and macro accessories work with the Hy6 Platform. Since he covered a lot of material already and still so much was omitted it just goes to show you how deep the Rolleiflex system is. He doesn’t detail much about macro work, but the Rolleiflex system has a huge number of macro accessories – perhaps more than any other medium format system. He’s using an older version of the 6008 which has red led display, but the 6008 IntAF both have LCD displays with more information and both came fitted with a better focusing screen, the High D. If he liked the 150mm Sonnar for portraits then he’d absolutely love the 180/2.8 Schneider. The 90mm APO macro lens by Schneider, the 180/2.8 Schneider, and the 60mm Schneider Curtagon are all missing from his report and personally I think these lenses are some of the jewels of that system. It’s great to see his article on the Rolleiflex 6000 system which is very detailed, but omits a few things about lenses he hasn’t used. I’ve met Volker in Germany once during Photokina and he’s a nice guy, and we've had a few e-mails over the years.
You should read through this article - he has some good insight into the system and also shows some great photos taken with some of the different lenses. Source: Rolleiflex 6000 – A Passionate Review – By Volker Muth "Owning 35mm, medium format and 5×4 inch monorail cameras, the Rolleiflex 6000 system is, for me, something of an ideal compromise."
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